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Article: REDEEMING THE ARTS (Continued)
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Redeeming Creator
Confusion over God's redemptive purposes, is to a large extent the result
of an unbiblical "sacred-secular" dichotomy of reality. When
this dual worldview is embraced, there is a failure to line up our thinking
with the Psalmist when he declares; "The earth is the Lord's, and
everything in it."17 There is, however, the
correct Biblical truth of the Holy and profane. The Hebrew words for Holy,
speak of a clean place morally and ceremonially. Words used for profane
suggest woundedness, stain and defilement. This points to the fact that
the object, person, place or area of life to which the word profane refers,
has at some point been whole, unstained and undefiled.
The Hebraic term JHVH-Elohim, Redeeming Creator, beautifully articulates
the meaning of Calvary. God is in the process of redeeming all aspects
of His creation. We are to work with Him in the ministry of reconciliation
He has given us.18
The arts are God's good gifts to us. They are not to be feared and avoided
because they have become "wounded and stained." We are to be
involved with God in the reclamation process, so that the arts will again
reflect His
original creational purpose for them, of glory and beauty.
In his book, Eternity In Their Hearts,19
Missiologist Don Richardson develops this theme of cultural redemption,
within the context of tribal peoples. He sees in every culture, what he
calls the Melchizedek factor. That is, the God given redemptive aspects
of His original creational intent. Richardson also identifies what he
calls the Sodom factor, the sinful perversion of certain aspects of culture
formation. The redemptive process involves the calling forth and affirmation
of the Melchizedek factors within a culture, and the recognition of, and
repentance from the Sodom or distorted issues.
Artistic Reconciliation
The hallmark of truth is its universal application. When we talk of the
redemption, reconciliation and reclamation of the arts, the same principles
apply. Sadly, the only thing many Christians see is the Sodom or distortion
factor in the arts. Because of this, the arts are relegated to Satan's
domain, and abandoned to their own woundedness. Many aspects of the arts
have become sin-stained and distorted. God wants the Church to be involved
with Him in reversing this situation. This can begin, when it is acknowledged
that God is the creator and source of the arts. Only then can we seek
to discern the difference between the holy and profane manifestation of
the gift. Calling forth and affirmation are appropriate responses to the
former,as are discernment and repentance to the latter. Biblical reconciliation,
means to 'bring into harmony' with God's original creational intent. When
an individual, culture or area of life is reconciled to God, it is brought
into harmony with the principles of His word. It should still, however,
continue to own its individual and unique reflection, mirroring the creative
diversity of God, the original artist.
The Opposite Spirit
Cultural redemption and reconciliation involves the pulling down of sinful
strongholds that have influenced the arts. The spiritual principle of
coming in the opposite spirit, illustrated by the scripture "a gentle
answer turns
away wrath,"20 is a key weapon of our warfare.
We are not talking here about a reactionary approach to sin. When such
an attitude is taken, we allow legalism to inform our faith. Christianity
is subsequently defined in terms of what we 'don't' do. Coming in the
opposite spirit is the Jesus style. Satan's strategies are then counteracted,
as appropriate spiritual responses render him powerless. In this way,
gentleness defeats anger and humility overcomes pride.As we apply this
truth, the power of sin is neutralized. This can be shown as we consider
the distortion of idolatry in the arts. The opposite of idolatry, isworship
of God. If we are engaged in a lifestyle of worshiping the Creator, we
will not easily be tempted to idolatrous worship of the created.
Instruments Of Worship
Corporate worship, or any creative expression of worship, must emanate
from the overflow of the secret place. David's dancing before the ark,
was surely the outworking of his demonstrative worship, recorded in the
Psalms. Creative expressions of worship do not readily emerge in a group
context; they are first developed as a lifestyle before the throne. A
group of trained dancers wanted to use their gift of movement in the service
of proclamation and worship. Before being released by the Lord to do this,
they learned to use their bodies as instruments of worship. For one year,
they practiced dance technique in the mornings. In the afternoons they
worshiped God individually and as a group, with an emphasis on movement
expression. This became such a natural attitude, that when they eventually
performed in public, they did so as an act of worship. As a result, audiences
were drawn into the presence of God.
God's Pleasure
A young man with an outstanding international ministry in music and worship
leading, confessed recently to a major breakthrough in his life. For years
he struggled with the need for affirmation following a worship service,
or a concert performance. God showed him the root of this need. He had
never known approval from his father. More importantly, he had never really
sensed the approval of God, as he exercised his musical gift. From that
moment on, he began each day by playing for his Heavenly Father. His keyboard
became a natural part of his worship. It wasn't long before he could identify
with Eric Liddell, the athlete in the film Chariots of Fire, who said
that when he ran, he could 'feel God's pleasure.' It is only as worship,
that our creative expression of the Imago Dei is freed to find ultimate
release and meaning before our Redeeming Creator, the source of all glory
and beauty.
Endnotes:
1 Genesis 1.1
2 Genesis 1.31
3 Genesis 1.27
4 Abraham Kuyper, Calvinism, (Grand Rapid:W.B.Eerdmans, 1943), p. 142
5 Genesis 2.15 (NAS)
6 Walsh and Middleton, The Transforming Vision, (Downers Grove, Illinois:
InterVarsity Press, 1984), p. 55
7 Genesis 2.9
8 Exodus 31.4
9 Exodus 28.40, 41 (NAS)
10 Leyland Ryken, The Liberated Imagination, (Wheaton, Ill.: Harold Shaw
Publishers, 1989), p. 61
11 Daniel J.Boorstin, The Creators, (New York: Random House, 1992), p.
5
12 Exodus 32.1-10
13 C.S.Lewis, The Great Divorce, (New York: Macmillan, 1946), p. 81
14 Numbers 21.4-9
15 2 Kings 18.4
16 Gospel of John 3.14
17 Psalms 24.1
18 II Corinthians 6.17,18
19 Don Richardson, Eternity In Their Hearts, (Ventura, California: Regal
Books, 1984)
20 Proverbs 15.1
© 1993 Colin Harbinson
Not to be copied, in part or whole, without written permission. Quotations
excepted.
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